Thursday, July 26, 2012

Top Ten Films of the '90s

I haven't posted anything in a minute, but I kinda felt like making a list about the best movies of the 90s so here it is. I'm tired so I'm not really going to justify any of my choices at all, it's more about just sharing what my ten favorite 90s films are.

10. Unforgiven

So far, the last truly great western.  Clint Eastwood cemented his legacy as a great director with this one.

9. Topsy-Turvy

Not that famous, but a terrific film.

8. Glengarry Glen Ross

With an all-star cast and a terrific script it's hard to go wrong , and this movie certainly doesn't. Also, Alec Baldwin turns in the best performance of his career.

7. Bottle Rocket

My favorite Wes Anderson film, if I were ever to make a movie it would be like Bottle Rocket.

6. The Thin Red Line

A beautiful (and really depressing) film by Terrence Malick, and as far as I can tell the most realistic movie about war ever made.

5. Groundhog Day

Bill Murray is amazing.

4. Fargo

My favorite Coen Brother's movie, it's suspenseful and absolutely hilarious.

3. Pulp Fiction

To many people this movie defined 90s film, but I think that the scenes with Bruce Willis' wife are so horrible that I can't really call this the best movie of the 90s. Still damn good though.

2. L.A. Confidential 

I love film noir, and this was by far the best neo-noir of the 90s in my estimation.

1. Goodfellas

The best movie not only to come out in the 90s, but the best movie to come out post-1965.


Monday, April 30, 2012

Top Ten Albums of the 1970s

I recently did a top twenty-five favorite albums of all time, which I promptly deleted within a few minutes after I looked it over and began second guessing myself like crazy.  So, I decided a top ten for each full decade since 1970 would be more fun to come up with (and easier to).  I'm not doing a top ten 1960s list partly because the Beatles would have at least 5 of the 10 albums on the list, and also because for the first half of the 1960s the idea of "albums" as we now think of them, didn't really exist, albums were just random collections of songs rather than specifically chosen songs that were meant to be listened to in sequence.  Anyways, here's my ten favorite albums of the 1970s:

10. Fun House- The Stooges

This album is where The Stooges peaked (although Raw Power is still good obviously), this album is The Stooges at their rawest and hardest.  This albums just rocks, there's really no other way to put it.

9. On the Corner- Miles Davis
Bitches Brew, In a Silent Way, Sketches of Spain and others may be more famous, but outside of Kind of Blue, this is my favorite Miles Davis album.  This album certainly doesn't sound like any other Jazz I've ever heard before and I'm not quite sure how to categorize it, and that's mainly because, outside of a few albums here and there, I'm not really a jazz connosieur.  However, I love this album as it just sounds badass.

8. Loaded- The Velvet Underground

Sort of looked down upon by hardcore VU fans when compared to their first three albums. John Cale and Maureen Tucker don't even appear on this album and while Loud Reed wrote all the songs there are quite a few where even he doesn't appear.  Yet, while it may not be the most "pure" of the VU albums, it's still great and possibly my favorite (that or The Velvet Underground). The album is named Loaded because apparently Lou Reed was told by the label to write an album "loaded with hits;" and he did just that.  This album is probably the most catchiest and by far the most accessible of any of the VU records.

7. Let's Get It On- Marvin Gaye

While What's Going On may be the most famous of any of Marvin Gaye's albums, I still say that Let's Get It On is better and more influential. What's Going On is without a doubt a great album, however I feel the message behind the songs are often more powerful and emotionally arresting than the songs themselves actually are.  Let's Get It On, on the other hand, is very consistent and catchy, and also is more influential, in that, with this album Marvin Gaye basically created R&B as we now know it (specifically with the songs "You Sure Love to Ball" and the title track "Let's Get It On").

6. Hunky Dory- David Bowie

Although far from his most cohesive release, the songs on this album are just too damn good. Bowie is all over the place on this album, but no matter what he's doing it almost always sounds good.  I consider this to be Bowie's best album of the '70s even though Bowie would go on to make many more great albums that decade (Bowie would probably have four albums in my top 20 of the 1970s), but this album or Scary Monsters (and Super Creeps) (came out in 1980) is my favorite of his.

5. Call Me- Al Green

Al Green is one of the most consistent R&B artists in history, but this is his masterpiece.  Al Green is really just showing off on this album as his singing is excellent, his songwriting is terrific (he wrote all his own songs (as did Marvin Gaye)), and he shows that he quite possibly was better at covering other people's songs than anyone before or after him.  It's basically impossible to tell which songs on the albums are covers (besides looking them up online or knowing beforehand) because Al Green just totally makes them his own.

4. My Aim is True- Elvis Costello

One of the most fully-realized debut albums ever, Elvis Costello really hit the ground running with this album. This is another album that is remarkably consistent with every song being at least good, and some songs just being flat-out classics. Costello is another guy that would put out many more great albums, but I have to say this is my favorite of his.

3. Innervisions- Stevie Wonder

Stevie Wonder is one of the most commercially successful and critically acclaimed artists of all time, but there's really no question about whether or not Innervisions is his best album;  it is. This album is meant to be listened to all the way through as each song seems to serve a specific purpose and makes for a great experience. Stevie was never better than he was here.

2. There's a Riot Goin' On- Sly & the Family Stone
A huge break from their previously established sound, this album turned out being the best Sly and crew ever produced, although who constituted "the Family Stone" during this album is pretty much unknown.  This album was recorded when Sly (and whatever guys he happened to have in the studio that day) were coked/doped out of their minds and as far as we know, nobody has a clear idea of what happened during those sessions, and the album sounds just like that.  This album sounds dark, murky, and worn out, and even the singles on the album sound almost sarcastic.  This album stands as a testament to the genius of Mr. Stone as he wrote, arranged, produced and sang lead on every single song on the album.  The album was also extremely influential, inspiring artists from George Clinton to James Brown to Miles Davis.

1. London Calling- The Clash
 
This album is just amazing, there's a reason it's one of the most famous and critically acclaimed albums of all time.  This album is like no punk rock record before or since as The Clash clearly didn't care about fitting anyone's previous conception of what The Clash are supposed to sound like. The songs on this album are incredibly diverse, covering all sorts of genres, yet, the album is extremely consistent with almost every song being great, and every one at least being good.  Everyone owes it to themselves to check out this album.

Monday, April 9, 2012

The Top 20 Batman: The Animated Series Episodes

Before I write any of these top ten lists I normally come up with a list of every possible candidate for the list that I can think of.  With the Batman Beyond and Superman: The Animated Series lists the possible candidates was around 15-16, but when I was trying to come up with a BTAS top ten, the candidate list got up to the mid-30s when I realized a top ten was way too restricting for such a great show (my favorite television show actually), so therefore I decided to make a top twenty list instead of the usual ten, and I'd basically just look through the entire list of episodes to choose my top twenty (although there definitely are some bad episodes and not all the good ones are worthy of top twenty consideration).  Also, the episodes from The New Batman Adventures I counted as part of Batman: The Animated Series, basically because everyone else does, including the people who make the DVDs.  As usual, two-parters are counted as one episode.  Anyways, here's the top twenty:

20. Never Fear
The reason this episode made the list is almost entirely due to The Scarecrow's redesign (and recasting) as they turned a kind of cool, but not that scary villain, into THE most terrifying villain of any of Batman's rogues.  Of course it also helps that The Scarecrow actually has a plan that makes sense, and Batman's encounter with the crocodiles (or are they alligators?) is one of the five most badass moments in the series.

19. See No Evil
One of my personal favorites and not as much an objective choice as the others on this list are.  I've always been a sucker for moral ambiguity, and this episode has boatloads of it.  Instead of pitting Batman against the typical supervillain, he goes against a common crook (albeit an invisible one) who just wants to see his daughter again.  This episode really is a testament to the brilliance of the creators of this show, as they never fall into any of the typical cliches  and leave you conflicted throughout the entire episode  while keeping you unsure of what the outcome will be.  Then, when it's all over, you have to decide for yourself who was in the right.

18. On Leather Wings
The first episode of the series, and for my money the best debut episode in the history of television (which honestly isn't saying that much) and it really established the tone of the series. However, I didn't rank it in the top twenty just because of its importance as a good debut, if this episode was #1 or #37 it wouldn't have made a difference in ranking, as this is a really good episode in itself.  The pacing is great, Kevin Conroy's using of different voices for Bruce Wayne and Batman respectively is expertly highlighted, the action sequences are terrific, and there lots of great little details as well.  My favorite seemingly unimportant moment from this episode is the introduction of Harvey Dent pre-transformation to Two-Face, which, in conjunction with other episodes, made Harvey's transformation into Two-Face all the more affecting.

17. Growing Pains
Although it's incredibly conventional and typical The Joker is my favorite villain of Batman: The Animated Series by a fairly significant margin.  However, my second or third favorite villain is Clayface, and its because of episodes like this.  This is one of the most emotionally affecting episodes of the series, and Robin's line to end the episode is arguably the saddest of the series.

16.  Legends of the Dark Knight
This episode is terrific because its so amazing to see the Sprang and Miller creations in animated form, this was doubly awesome for me because those were the Batman comics I grew up reading (I have a cool dad). Also I've always had a soft spot in my heart for Firefly, so his appearance is just an added bonus to an already great episode.

Quick aside: The episodes on this list that I have numbered 15-9 are really interchangeable and their order basically depends on what mood I'm in.

15. Avatar
Often overlooked when compared to Ra's al Ghul's debut episode "The Demon Quest,"  but this episode is even better. "The Demon Quest" felt sort of rushed (even though it was a two-parter) and really just seemed to take itself too seriously, and although it was really good (top 25) there were enough flaws (Talia not really having any sort of character depth) that kept it from being a top 20 episode.  Avatar on the other hand, while being one of the least believable of all the BTAS episodes in terms of realism, does almost everything right.  The premise of the episode is basically Batman meets Raiders of the Lost Ark.  The episode is about Ra's returning and trying to find this the tomb of an Egyptian Queen that's said to contain the secrets of eternal life, and Batman and Talia team up to try and beat Ra's to the tomb.  Basically the perfect adventure episode.

14. Harlequinade
Although Harley Quinn was already a very popular and firmly established character, this was her first solo showcase as well as her best (better than "Mad Love" and "Harley's Holiday").  This episode is one of the funniest and most entertaining of the entire series, as Harley Quinn and Batman team up to form one of the most unlikely buddy-cop tandems of all time as they work together to stop the Joker from blowing up Gotham.  Also as an added bonus, it features the best musical number of the entire series and of my favorite random reoccurring gangster characters in Boxy Bennett. 

13. A Bullet for Bullock
Of all the episodes of Batman: The Animated Series, this is the one where they really perfect the noir atmosphere.  It's a very interesting look not only into Harvey Bullock's life but also into the world he inhabits.  One of the best things about BTAS was how, unlike Metropolis in STAS and whatever random city they happened to be in in Justice League, Gotham felt like a living and breathing place, rather than just some backdrop in which the heroes fought.  Seeing the streets of Gotham through the eyes of Harvey Bullock is a great experience.

12. Mudslide
The first time we see Clayface since his terrific introduction in "Feat of Clay," Mudslide is somehow manages to simultaneously be one of the funniest and saddest episodes of the entire series.  Leading up to the dramatic finale you have Hagen doing his Marlon Brando impression, lines like "Dr. Bates used to own a motel. . .", and Clayface's shell which looks exactly like an Oscar statue.  Then it gets serious as Batman cold-heartedly stops Clayface's operation and  it all comes to a close with a climactic fight in the rain.  Another thing I really liked about this episode was the resemblance to '30s and '40s monster movies, I'm a big fan of James Whale's horror movies and this episode really reminded me of them.

11. His Silicon Soul
The best "evil double" story of all time, and a very artful and subtle look inside Batman's head (much better than the overrated "I Am the Night").  I mentioned earlier how much I liked moral ambiguity, and this episode was one of, if not the most, morally ambiguous of all the BTAS episodes.  The Batman duplicate only has the best intentions and you really sympathize with him when he's only trying to make sense of what's happening, and his final lines before he sacrifices himself to save Gotham are some of the most touching in the entire series.  

10. Birds of a Feather
I've always had a soft spot in my heart for the Penguin, and that's probably part of why I have this episode ranked so highly, but this episode still is really good.  This episode is one of the more tragic ones as Penguin shows his desire to reform and almost does it, until he walks by the wrong room at the worst possible time.  Then he breaks out the umbrellas and everything spirals towards its inevitable conclusion.  This episode really hit home for me, because I like the Penguin a lot, but all of his solo episodes before this were just horrible.  So when I saw this, I was really happy that they finally did justice to his character.

9. Read My Lips

This episode is great because it works on so many levels.  This episode has one of the most psychologically fascinating and arguably most messed up villain in all of Batman's rogues gallery, it has brilliant pacing, it has that great noir atmosphere, it has pulp elements, it's funny, and it's sad, to put it succinctly: it takes everything that's great about the series and combines them brilliantly.

8. Feat of Clay
The most uneven of any of the Batman: The Animated Series two-parters, with the first half being almost nothing but exposition while containing some very mediocre animation,  and the second part is just spectacular.  The first half really does add to the second,  because it's all been building to something and it's just all the more rewarding having slogged through the first part to get part 2, where they just really blow the wheels off of everything.  Clayface is one of the very few BTAS villains to have actual superpowers (him and Man-Bat) and they are some damn badass powers at that.  The animation in the second half is quite possibly the best animation seen in the entire series and contains some of the best sequences in the entire series.

7. Over the Edge
Often a little overrated, "Over the Edge" is still one of the best episodes in the entire series.  "Over the Edge" is probably the darkest of any of the episodes (not that that in itself means its good) but its all handled very well and makes for one of the most interesting of all the episodes.  If they had ever needed to close the series this would have been the perfect episode, but obviously you can't really kill off Batman, and as such this episode suffers from the "it was all a dream" ending.  This is doubly annoying not only because it means everything else that happened previous to you discovering it was a dream didn't happen, but it also detracts from the episode on an intellectual level as well.  Although it may be an insight into Barbara Gordon's mind, it really isn't that interesting because all that you find out was she apparently doesn't think too highly of her father's intelligence.  However, everything that happened before the conclusion was amazing, so this episode is still one of the best of the entire series, and the best to come out of The New Batman Adventures.

6. The Man Who Killed Batman

As soon as you see the title card for this episode you know it's going to be great.  This episode has so many memorable moments it really is a testament to the quality of this show that I have it ranked as low as seventh.  "The Man Who Killed Batman" has many great individual moments and most of them are Harley and Joker's doing.  However, what really makes this episode so great is that the audience gets to see Batman through the eyes of the common crook/mob boss/and supervillain all in the same episode.  The resulting effect is a replenished sense of awe and admiration for Batman that may have diminished a bit over the course of the series leading up that point.

5. Almost Got 'Im

"Almost Got 'Im" is somewhat similar to "The Man Who Killed Batman" because for the majority of the episode the story is told from the villain's perspective, with Batman himself taking on the rather unusual role of the villain.  This episode is just pure fun and doesn't really attempt to do anything "deep" psychologically or philosophically.  Yet, everything is so well done and perfectly executed that it becomes one of the definitive BTAS episodes.  Also as the Nostalgia Critic brought up in his own Top 11 Batman: The Animated Series List one of the real joys of this episode is just seeing the villains interact with one another.

4. Two-Face
Two-Face on its own is amazing, but when taking into consideration that Harvey Dent had been introduced as a character on the show previous to the two-parter, it was doubly impactful. If you were watching the show previous to this episode, then you knew Harvey as Bruce Wayne's best friend and a guy who was on the same level as Jim Gordon.  He was one of the few good guys in Gotham, a man who was trying his best to save the city (with a little help from Batman) not to mention that he also had been saved by Batman in previous episodes.  That's who Harvey Dent was, Bruce Wayne's best friend and a crusading D.A. and as such was a guy who was always going to be saved.  So when he turns into Two-Face it really is one of the saddest episodes in the series and one of the few times Batman fails.  Also this episode has what I consider to be the most badass moment of the series ("you're talking to the wrong Harvey").

3. Heart of Ice
I said earlier in my Batman Beyond top ten list that "King's Ransom" was the Batman Beyond equivalent of "Heart of Ice," and while that certainly is true, as good an episode as "King's Ransom" is, "Heart of Ice" is on a completely different level.  Often considered the best episode of the series and the one I would recommend to anyone who was trying to get into the series and were basing the decision of whether or not to off any one episode.  This is the standard for which all other episodes are judged.  "Heart of Ice" shows a hero and villain who are two sides of the same coin, one represents vengeance (Freeze) and the other justice (Batman).  Everything in this episode is perfect, for almost any other television show this would have been good enough to be the best (except serialized shows like The Wire where you can't really split it up into individual episodes), but in Batman: the Animated Series it just barely makes the top three.

2. The Laughing Fish
Almost always considered a very good episode by every reviewer I've seen, yet somehow never shows up on any top tens, this is one of the very best BTAS episodes.  "Heart of Ice" and "The Laughing Fish" are basically equal in my mind, but I give the slight edge to "The Laughing Fish" because of how much I love The Joker, and this is the definitive Joker episode. While Mark Hamill may turn in an incredible performance as The Joker in Return of the Joker, I consider this to be his finest performance.  This is just an incredibly entertaining episode and is also the episode where Harley Quinn really emerges as being a necessary sidekick to The Joker and cements her place in the series. 

1. Perchance to Dream
The greatest episode of television ever and the best of the series, this is just an amazing work of art.  I literally wrote an eleven page research paper about this episode for one of my English classes my first semester of sophomore year of college, this episode is just sublime.  While it's already terrific just for how they deal with the alternate reality that Bruce wakes up in, and just how expertly paced the whole thing is, this episode goes to an entirely different level when you really consider the psychological implications of this episode and how far it delves into Bruce's mind.  At one point he actually psychoanalyzes himself (the conversation with Leslie (who would actually be a figment of his own subconsciousness seeing that this is a dream))! I can't really do this episode justice without posting my entire research paper, however this guy can: http://www.toonzone.net/anbat/btas/ptd.html

If anyone who read this is really interested in Batman: The Animated Series and that's why they looked at this blog post, then check out this website: http://www.toonzone.net/anbat/index.html. The reviews of each of the respective Batman series episodes are fascinating and incredibly well written.  I probably unintentionally plagiarized him several times in my brief descriptions of each episode just because I've read all of the reviews several times. So that's my semi-bibliography.  But seriously though, check out that website.

Friday, April 6, 2012

The State of Rap in 2012


In the old days you appreciated rap as an art form and you appreciated rappers as artists
For example someone like Biggie or Rakim or whoever.  Whereas these days, people lower their standards and consider rappers like Kendrick  Lamar art because the internet has democratized things so much that people are judging all these rappers on the same level that they  judge themselves, and in doing so, are sort of able to see themselves as the rappers. By elevating whatever rappers they’re listening to to the level of a genius, then they elevate themselves to that same level and vicariously live through them. But nobody could even try and compare themselves to Biggie, because Biggie was Biggie and they were “Joe Schmo.” Now any Joe Schmo has a chance to be Kendrick Lamar if they roll the dice and start putting out mixtapes. Of course there are some exceptions (Dom Kennedy, Freddie Gibbs, Big Krit, Earl Sweatshirt, etc.) but in the early 1990s there's no way someone like Kendrick Lamar, Tyler the Creator, or A$AP Rocky could have amassed as large a following as they have now.

Tuesday, April 3, 2012

Top Ten Hip-hop Albums released during 2000-09:

Anyways I was sitting around today, and I was fairly bored and when I'm bored I normally think of random top ten lists, so I decided a good list to do might be the top 10 hip-hop albums of the 2000s, because I've been listening to a lot of early 2000s hip-hop recently. This list isn't going to have particularly long/good explanations for why I chose which albums I did because I don't really feel like writing so much as just making a list; but anyways, without further ado, here are my ten favorite hip-hop albums released during the first decade of the 2000s:

10. Purple Haze- Cam'ron

Cam'ron's greatest album and one that showcases everything great about him.  From the exceptionally malleable flow, to the hilarious skits, the Dipset features, and the best "chipmunk soul" song ever in "Down and Out," this is the essential Cam'ron album.

9. Hell Hath No Fury- Clipse
image
Nearly perfect production combined with nearly perfect rapping makes for a nearly perfect album, and that's exactly what Hell Hath No Fury is.  One of the darkest and coldest hip-hop albums ever, up there with Liquid Swords, The Infamous, and an album that appears at number seven on this list. . .

8. Travel at Your Own Pace- Y Society

Probably the least well known album of any of the ones on my list, but this album is great.  The album isn't a challenging listen by any means, but it certainly isn't conventional, and definitely marches to the beat of its own drum.  Both Insight and Damu the Fudgemunk are very capable MCs and they have great chemistry.  The whole album is very cohesive, and although it has a very laid-back vibe it takes itself seriously.  If you haven't heard this yet, you should definitely check it out, this album needs more exposure.

7. The Cold Vein- Cannibal Ox

One of the most fascinating listens you'll ever experience, as anyone who has ever heard this album can attest.  This album creates its own bizarre, dystopian, futuristic, dark universe that's utterlly mesmerizing.

6. The Cool- Lupe Fiasco

An overlong, sprawling album that sonically is just all over the place, and despite being a concept album, isn't really cohesive at all.  Yet it contains some of the catchiest hooks,  highest quality production, and virtuosic, tongue-twisting lyricism of any album released during the entire decade.

5. Below the Heavens- Blu & Exile

Exile's lo-fi, soul-heavy production meshed brilliantly with Blu's terrific lyricism and effortless, dexterous flow; and the result of the two coming together was one of the most cohesive, catchy, and listenable hip-hop albums released during the 2000s.

4. Fantastic, Vol. 2- Slum Village

Fantastic, Vol. 2 is similar to Travel at Your Own Pace, because both are criminally underrated mainly because how unknown they are.  The production on this record (every song is produced by J Dilla) is quite possibly the best on any album released from 2000-2009, and although the lyrics certainly are not deep or meaningful, or anything like that, all the members of SV have pretty nice flows.  The album sounds like some pretty good rappers just having fun and freestyling over some of the best beats of the decade, and creating one of that decade's best albums in the process.

3. Vaudeville Villain- Viktor Vaughn (aka MF DOOM)

This album contains the best rapping of the entire decade, MF DOOM is simply an amazing MC, and this album is a terrific example of his talent.  The reason I prefer this to Madvillainy is not only because the songs are way more fleshed out, but also because MF DOOM really gets to showcase his storytelling abilities and have a lot of fun with the Viktor Vaughn personality he uses on this album. Over the course of this album DOOM exhibits of some of the most impressive yet hilarious lines ever rapped.

2. FishScale- Ghostface Killah

Although Supreme Clientele is normally the album that most people select as the best Ghostface effort of the decade, I'm  partial to FishScale.  Overall I think the album is much more consistent, with basically no tracks (except some skits) worth skipping, the production is better, and it also showcases all aspects of Ghostface Killah more than Supreme Clientele does.  FishScale has impeccable beats, typically amazing Ghostface rapping, and a great Wu-Tang cut in "9 Milli Bros." It's hard to get any better than that.

1. Late Registration- Kanye West

Yet, we have this. Kanye West showed/proved that he is one of the true auteurs of hip-hop as he almost completely redefined his sound while making an album that was still indelibly his own.  Late Registration is one of the most ambitious albums of all time, as Kanye incorporated many classic orchestral elements and created one of the most beautiful, elegant, and great hip-hop albums of all time, and the best of the first decade of the 21st century.